Todd Jorgenson
Tomatometer-approved critic
Official Website:
http://www.dentonrc.com/entertainment
Our Hero, Balthazar (2025)
92%
EDIT
“Navigating a tonal tightrope, this darkly provocative comedy lacks subtlety yet compensates with sincerity.” –
Cinemalogue
Apr 19, 2026
Full Review
Wasteman (2025)
100%
EDIT
“Although the screenplay lacks contextual depth, the volatile chemistry between the two leads helps to sustain tension and fuel a rooting interest.” –
Cinemalogue
Apr 17, 2026
Full Review
Mile End Kicks (2025)
86%
EDIT
“A sense of heartfelt authenticity pulses throughout this nostalgic portrait of personal and professional empowerment, keeping it from bogging down in angst-ridden millennial cliches.” –
Cinemalogue
Apr 17, 2026
Full Review
Lorne (2026)
67%
EDIT
“... seems content to pay tribute to Michaels and his accomplishments rather than creating a well-rounded portrait with fresh insight for outsiders.” –
Cinemalogue
Apr 17, 2026
Full Review
Everyone Is Lying to You for Money (2025)
EDIT
“McKenzie’s directorial debut sprinkles self-deprecating humor to keep the material from becoming too depressing, while the film persuasively cuts through the hype for those willing to listen.” –
Cinemalogue
Apr 17, 2026
Full Review
Erupcja (2025)
84%
EDIT
“Intriguing relationship dynamics add subtle layers to this understated romantic drama that incisively explores commitment and connections.” –
Cinemalogue
Apr 17, 2026
Full Review
Eagles of the Republic (2025)
73%
EDIT
“Although its satirical barbs are hit-and-miss, this slick conspiracy thriller is mildly provocative and consistently intriguing.” –
Cinemalogue
Apr 17, 2026
Full Review
Brothers Under Fire (2026)
EDIT
“Despite some intermittent thrills, the film struggles to generate any meaningful suspense with its thinly sketched characters and narrative predictability.” –
Cinemalogue
Apr 17, 2026
Full Review
Blue Heron (2025)
100%
EDIT
“Emphasizing mood over plot, the film is quietly unassuming yet cumulatively powerful without providing an easy path to catharsis.” –
Cinemalogue
Apr 17, 2026
Full Review
Amrum (2025)
96%
EDIT
“Driven by Billerbeck’s expressive portrayal, the film’s exploration of adolescent unease avoids heavy-handed sentimentality while carrying a haunting contemporary resonance.” –
Cinemalogue
Apr 17, 2026
Full Review
Lee Cronin's The Mummy (2026)
45%
EDIT
“This bloated and fetishistically bloody thriller mixes throwback scare tactics and mythological tropes with a missing-persons mystery, yet struggles to translate its disturbing imagery into sustained tension or terror.” –
Cinemalogue
Apr 17, 2026
Full Review
Normal (2025)
77%
EDIT
“Odenkirk shines in this amusing if somewhat generic ultraviolent thriller, which coasts on some mildly compelling twists and stylish western-infused set pieces.” –
Cinemalogue
Apr 17, 2026
Full Review
Balls Up (2026)
28%
EDIT
“Any stimulation you feel won’t be of the intellectual variety while watching thsi low-brow affair that gives moviegoers the shaft.” –
Cinemalogue
Apr 17, 2026
Full Review
Outcome (2026)
28%
EDIT
“While it generates some big laughs with its acerbic mix of sight gags and one-liners, the energetic comedy ultimately becomes caught between too scathing and too soft.” –
Cinemalogue
Apr 10, 2026
Full Review
You, Me & Tuscany (2026)
66%
EDIT
“... a collection of fish-out-of-water cliches and stereotypes that provide some scattered surface laughs but leave this exotic travelogue funneling toward the most obvious of narrative destinations.” –
Cinemalogue
Apr 10, 2026
Full Review
The Travel Companion (2025)
91%
EDIT
“What starts as a quirky comedy about struggling artists in New York evolves into a peculiar yet incisive drama probing petty jealousies, creativity versus commerce, and the perils of the gig economy.” –
Cinemalogue
Apr 10, 2026
Full Review
Heads or Tails? (2025)
89%
EDIT
“An ambitious mishmash of nostalgic references and stylish visual flourishes, this throwback western finds its own amusing niche that both indulges and tweaks genre tropes.” –
Cinemalogue
Apr 10, 2026
Full Review
Hamlet (2025)
72%
EDIT
“Admirable more for its ambition than its execution, this contemporary reimagining never fully meshes with the Bard’s theatrical language as intended.” –
Cinemalogue
Apr 10, 2026
Full Review
Exit 8 (2025)
92%
EDIT
“... genuinely creepy in the first half but struggles to sustain its narrative momentum.” –
Cinemalogue
Apr 10, 2026
Full Review
The Drama (2026)
77%
EDIT
“Straddling a line between exploitation and provocation, the film skillfully shifts our loyalties, challenges our boundaries, and toys with our emotions. As you laugh and cringe, it also shakes you to the core.” –
Cinemalogue
Apr 3, 2026
Full Review
The Stranger (2025)
92%
EDIT
“Ozon immerses us in the sociopolitical volatility of the setting while remaining intimately focused on the existential crisis of his troubled antihero, with uneven but fascinating results.” –
Cinemalogue
Apr 3, 2026
Full Review
Pizza Movie (2026)
78%
EDIT
“One slice is more than enough to get a taste of this relentlessly silly and sophomoric stoner comedy that’s more exhausting than amusing.” –
Cinemalogue
Apr 3, 2026
Full Review
Fantasy Life (2025)
81%
EDIT
“It might not break any new ground, but this at least this perceptive comedy about relationships and middle age is layered with authenticity and nuance rather than contrivances.” –
Cinemalogue
Apr 3, 2026
Full Review
They Will Kill You (2026)
64%
EDIT
“Consistently creepy and almost cartoonishly intense, it’s a series of progressively outrageous confrontations that showcase some invigorating fight choreography and stylish visual gimmickry, but provide little substance beneath the surface spectacle.” –
Cinemalogue
Mar 28, 2026
Full Review
Mike & Nick & Nick & Alice (2026)
76%
EDIT
“Emphasizing chaos over coherence, this genre hybrid succeeds better as a quirky buddy comedy than a crime thriller, bolstered by a science-fiction twist that distinguishes it from its formulaic trappings.” –
Cinemalogue
Mar 28, 2026
Full Review
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