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Tom Shone

Tom Shone's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
Crime 101 (2026) 87% 3/5 EDIT “Layton’s direction is powerful but patient and Berry brings real bite to her insurance agent, who at 53 is prey to the bitter realisation that the system is not built in her favour.” – Sunday Times (UK) Feb 18, 2026 Full Review Wuthering Heights (2026) 60% 2/5 EDIT “Fennell’s “Wuthering Heights” is a work of posh-girl provocation: intent on pushing as many buttons as it can, mistaking Brontë’s effect for her intent. ” – Sunday Times (UK) Feb 18, 2026 Full Review Send Help (2026) 93% 4/5 EDIT “The film is as subtle a Looney Tunes cartoon, as violent and as fun.” – Sunday Times (UK) Feb 11, 2026 Full Review Saipan (2025) 92% 3/5 EDIT “The film is decent enough but lacks a compelling raison d’être.” – Sunday Times (UK) Jan 27, 2026 Full Review H Is for Hawk (2025) 80% 4/5 EDIT “Foy pulls through in every sense. She gives a remarkable performance — unshowy, precise and powerful.” – Sunday Times (UK) Jan 27, 2026 Full Review The Rip (2026) 79% 3/5 EDIT “The Rip is at its best as the noose of paranoia tightens around the house, suspicions fly, and Damon and Affleck take turns to accuse each other.” – Sunday Times (UK) Jan 22, 2026 Full Review 28 Years Later: The Bone Temple (2026) 92% 2/5 EDIT “Fiennes is pretty much the sole reason you may want to see this thinly clever, unpleasant film. ” – Sunday Times (UK) Jan 22, 2026 Full Review Song Sung Blue (2025) 77% 2/5 EDIT “In 20 years’ time Song Sung Blue will probably be a camp classic playing as part of a double-bill with The Rocky Horror Picture Show, or Showgirls. But to qualify for “so bad it’s good”, first you have to be bad … very bad.” – Sunday Times (UK) Jan 10, 2026 Full Review Sentimental Value (2025) 97% 5/5 EDIT “Trier has plenty of both up his sleeve, combining the satisfactions of arthouse film-making with the emotional wallop of great melodrama.” – Sunday Times (UK) Jan 10, 2026 Full Review Wake Up Dead Man: A Knives Out Mystery (2025) 92% 3/5 EDIT “It’s all so clever that half an hour after the film is over you won’t remember a stitch of it. What stays with you is O’Connor taking time out from a bit of sleuthing to take confession from a member of his parish.” – Sunday Times (UK) Dec 18, 2025 Full Review Goodbye June (2025) 65% 4/5 EDIT “The screenplay has an extraordinary ability to unlock emotion with the most mundane of events.” – Sunday Times (UK) Dec 18, 2025 Full Review It Was Just an Accident (2025) 98% 3/5 EDIT “What unfolds is a black comedy of sorts.” – Sunday Times (UK) Dec 8, 2025 Full Review Jay Kelly (2025) 75% 4/5 EDIT “Jay Kelly ploughs a more mellow groove than we’ve come to expect from this caustic writer-director.” – Sunday Times (UK) Dec 8, 2025 Full Review Blue Moon (2025) 90% 3/5 EDIT “If Blue Moon feels destined to be seen by a fraction of the already small percentage of the population who enjoyed those films, Hawke’s scenes with Scott and Qualley nevertheless stand out.” – Sunday Times (UK) Dec 3, 2025 Full Review Christy (2025) 67% 3/5 EDIT “Sweeney is extraordinary — her tenacity, like Martin’s, is starting to pay off.” – Sunday Times (UK) Dec 3, 2025 Full Review Train Dreams (2025) 95% 3/5 EDIT “It casts an undeniable spell.” – Sunday Times (UK) Nov 25, 2025 Full Review Wicked: For Good (2025) 66% 4/5 EDIT “Erivo’s vulnerability is the real show-stopper. ” – Sunday Times (UK) Nov 25, 2025 Full Review Nuremberg (2025) 72% 2/5 EDIT “ For all its window dressing as a clinical assessment, the psychological insights offered up — Kelley finds Goering “sympathetic”, “imaginative” and a “narcissist” — are not worth the napkin on which they were jotted.” – Sunday Times (UK) Nov 25, 2025 Full Review The Choral (2025) 68% 2/5 EDIT “Alan Bennett’s script spends too much time pursuing the romantic subplots of his teenage choristers.” – Sunday Times (UK) Nov 14, 2025 Full Review Die My Love (2025) 74% 3/5 EDIT “Pattinson is good in this film, but Lawrence is better: sometimes he seems frankly slack-jawed at just how uninhibited his scene partner is managing to be. ” – Sunday Times (UK) Nov 14, 2025 Full Review After the Hunt (2025) 37% 2/5 EDIT “The plot feels almost deliberately muddled.” – Sunday Times (UK) Oct 29, 2025 Full Review Frankenstein (2025) 85% 4/5 EDIT “Once Jacob Elordi takes the stage as the monster — sorry, the creature — everything falls into place.” – Sunday Times (UK) Oct 29, 2025 Full Review A HOUSE OF DYNAMITE (2025) 75% 4/5 EDIT “Chilling, measured, at times almost unbearably tense.” – Sunday Times (UK) Oct 14, 2025 Full Review The Smashing Machine (2025) 71% 3/5 EDIT “The true naked aggression of Raging Bull seems beyond the reach of Johnson, or of this rather sweet-natured film. Instead it’s Gently Engaging Bull.” – Sunday Times (UK) Oct 3, 2025 Full Review One Battle After Another (2025) 94% 5/5 EDIT “Hefty yet cantering, deliriously funny in places, as audacious as a moonshot — One Battle After Another is probably Anderson’s best film.” – Sunday Times (UK) Sep 30, 2025 Full Review
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