Yasmin Kleinbart
Yasmin Kleinbart's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
The Menu (2022)
88%
8.5/10
EDIT
“Reiss, Tracy, and Mylod’s aim at the outrageousness of gastronomic art mostly works by giving the audience a glimpse into the (literal) cut-throat industry.” –
InBetweenDrafts
Apr 14, 2026
Full Review
The Mean One (2022)
25%
1/10
EDIT
“You might want to just stick to the 1960s cartoon.” –
InBetweenDrafts
Apr 14, 2026
Full Review
Skinamarink (2022)
73%
7/10
EDIT
“Despite these narrative pitfalls and a minuscule budget, Ball turns the horror genre on its head. With Skinamarink, he concocts a unique—albeit a tad vexing—experience. ” –
InBetweenDrafts
Apr 14, 2026
Full Review
Renfield (2023)
58%
7/10
EDIT
“While it sometimes loses track of its big ideas, the film still manages to have fun and not take itself too seriously. ” –
InBetweenDrafts
Apr 14, 2026
Full Review
Evil Dead Rise (2023)
85%
7/10
EDIT
“Evil Dead Rise isn’t the best of the series or even the second or third best, but the meshing of new and familiar elements makes for a bloody good time. ” –
InBetweenDrafts
Apr 14, 2026
Full Review
Flamin' Hot (2023)
67%
4/10
EDIT
“Flamin’ Hot is the latest to tackle the creation of a universally loved product, but it’s oddly lacking flavor.” –
InBetweenDrafts
Apr 14, 2026
Full Review
Amanda (2022)
96%
8/10
EDIT
“The story itself may be as old as time, but the chemistry between Amanda and Rebecca is electric and keeps the viewer engaged.” –
InBetweenDrafts
Apr 14, 2026
Full Review
Theater Camp (2023)
86%
7/10
EDIT
“Theater Camp may be riddled with Broadway jokes, but that doesn’t mean the non-theater viewer won’t enjoy it. It’s full of heart and will make you question why theater programs are always on the chopping block.” –
InBetweenDrafts
Apr 14, 2026
Full Review
Love Life (2022)
87%
8/10
EDIT
“Thanks to its ensemble and stunning use of camerawork and blocking, Love Life is another excellent addition to a filmography of longing.” –
InBetweenDrafts
Apr 14, 2026
Full Review
Good Grief (2023)
77%
6/10
EDIT
“Good Grief asks the question: How do you continue grieving a loved one after they hurt you? Levy only provides a generic answer for whatever reason, but at least he had the good sense to cast a stellar ensemble to carry this project through.” –
InBetweenDrafts
Apr 14, 2026
Full Review
Drive-Away Dolls (2024)
64%
8/10
EDIT
“Drive-Away Dolls is a silly movie featuring lesbian characters doing silly things, and by god, it felt so refreshing to watch. ” –
InBetweenDrafts
Apr 14, 2026
Full Review
Late Night with the Devil (2023)
97%
8/10
EDIT
“The Cairnes siblings have created something scary, gory, and relevant, especially given our current state of media, where folks will do anything for a click or view. ” –
InBetweenDrafts
Apr 14, 2026
Full Review
Sting (2024)
70%
4/10
EDIT
“ It’s easily forgettable and doesn’t do much with its creature. ” –
InBetweenDrafts
Apr 14, 2026
Full Review
I Used to be Funny (2023)
84%
6/10
EDIT
“While I Used to Be Funny didn’t hit all the right notes, its heart was in the right place. ” –
InBetweenDrafts
Apr 14, 2026
Full Review
Cuckoo (2024)
79%
7/10
EDIT
“Stevens and Schafer rule, and the scares are pretty solid. ” –
InBetweenDrafts
Apr 14, 2026
Full Review
Strange Darling (2023)
96%
8/10
EDIT
“Mollner takes an exhausted plotline and makes it refreshing and eclectic—something he should consider "a checkmate and more."” –
InBetweenDrafts
Apr 14, 2026
Full Review
Nightbitch (2024)
59%
5/10
EDIT
“For most, Nightbitch will be just fine. However, those looking for a deeper take on women’s anger will be disappointed. ” –
InBetweenDrafts
Apr 14, 2026
Full Review
Novocaine (2025)
81%
6/10
EDIT
“It’s far from perfect, but Quaid’s infectious personality makes for a fun enough time.” –
InBetweenDrafts
Apr 14, 2026
Full Review
Dead Man's Wire (2025)
92%
6/10
EDIT
“Dead Man’s Wire may have its flaws, but Van Sant’s filmmaking and Skarsgård’s campy acting make it mostly entertaining.” –
InBetweenDrafts
Mar 4, 2026
Full Review
Pillion (2025)
99%
8/10
EDIT
“Leighton’s film is an optimistic coming-of-age film about a man discovering his wants and needs in romance.” –
InBetweenDrafts
Mar 4, 2026
Full Review
Wake Up Dead Man: A Knives Out Mystery (2025)
92%
9/10
EDIT
“Johnson’s nuanced approach and his diverse cast provide different, complex perspectives.” –
InBetweenDrafts
Jan 5, 2026
Full Review
Keeper (2025)
49%
6/10
EDIT
“Keeper has a lot of potential, but a poor script keeps it from being truly great.” –
InBetweenDrafts
Nov 18, 2025
Full Review
The Baltimorons (2025)
93%
7/10
EDIT
“With Duplass’s help, Strassner takes a dark part of his life and turns it into a charming story about finding comfort in the arms of strangers. ” –
InBetweenDrafts
Sep 17, 2025
Full Review
Went Up the Hill (2024)
67%
6/10
EDIT
“There’s nothing terrible about it, but there’s nothing that makes it stand out in an already bloated genre. ” –
InBetweenDrafts
Sep 2, 2025
Full Review
Trust (2025)
21%
1.5/10
EDIT
“It’s hard to imagine the ultimate vision for this film, given that all the storylines go nowhere. ” –
InBetweenDrafts
Sep 2, 2025
Full Review
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