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Andrew Parker

Tomatometer-approved critic
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Lee Cronin's The Mummy (2026) 45% 2/10 EDIT “It’s a project built upon idiotic logic, old ideas, dumb writing, and a misplaced sense of self-importance that would be unintentionally hilarious if it wasn’t so painfully slow and boring. ” – The Gate Apr 18, 2026 Full Review Lorne (2026) 67% 5/10 EDIT “Everyone states the obvious: Lorne isn’t going to love being followed around with a camera and that Neville isn’t going to learn much more about the man than he already did going into the project. ” – The Gate Apr 18, 2026 Full Review The Christophers (2025) 97% 8/10 EDIT “This film is a great example of a work where less is more, and by getting out of the way of his leads, Soderbergh has found another winning formula.” – The Gate Apr 18, 2026 Full Review Amrum (2025) 96% 7/10 EDIT “Billerbeck’s leading performance is a great example of a measured, intelligent portrait of a young person gradually learning that his family is on the wrong side of history.” – The Gate Apr 18, 2026 Full Review Wasteman (2025) 100% 8/10 EDIT “It’s impressive what McMau is able to accomplish behind the camera in such a small space but it’s the chance to watch a pair of continually evolving performers in the lead roles that makes Wasteman so electrifying. ” – The Gate Apr 18, 2026 Full Review Mile End Kicks (2025) 86% 8/10 EDIT “It’s a film that could serve as a nice guidebook for people living in their teens and early twenties, but also holds space for the older crowd that has had their heart broken [and] dreams put on pause.” – The Gate Apr 18, 2026 Full Review Hamlet (2025) 72% 6/10 EDIT “And while "the play’s" very much "the thing" here, Ahmed’s leading turn is more than enough reason to take notice of this version of the tale.” – The Gate Apr 14, 2026 Full Review Faces of Death (2026) 68% 9/10 EDIT “It’s the best, most layered, most exciting, and smartest horror movie of the year so far. ” – The Gate Apr 11, 2026 Full Review Follies (2025) 8/10 EDIT “Boasting a lot of explicit sexuality and dialogue, Follies thrives on awkward discomfort and the occasional bit of shock value. ” – The Gate Apr 11, 2026 Full Review Middle Life (2025) 8/10 EDIT “[It] recalls the witty, observational works of peak era James and Albert Brooks and the lived-in qualities and characteristics of late, underrated filmmaker Joan Micklin Silver.” – The Gate Apr 11, 2026 Full Review Marc by Sofia (2025) 73% 6/10 EDIT “Expect some self-reflection from Jacobs, but not a lot of criticism or insight from his collaborator here.” – The Gate Apr 11, 2026 Full Review You, Me & Tuscany (2026) 66% 3/10 EDIT “You could plug inanimate objects into these roles and the movie would play to the same formula.” – The Gate Apr 11, 2026 Full Review The Drama (2026) 77% 8/10 EDIT “I loved it. I also feel terrible after viewing it.” – The Gate Apr 4, 2026 Full Review Silver Screamers (2025) 90% 7/10 EDIT “Cisterna puts the people first and the film comes second. Each member of the crew has a story to tell and their reasons for taking part in Cisterna’s atypical project.” – The Gate Apr 3, 2026 Full Review Dead Lover (2025) 86% 9/10 EDIT “It’s the movie for horny weirdos to end all movies about horny weirdos. And we all need more movies about horny weirdos.” – The Gate Apr 3, 2026 Full Review Alpha (2025) 58% 7/10 EDIT “Although the film is named after a young girl, she’s only one part of a larger story that’s at its most interesting and dynamic when it’s following the film’s adult characters.” – The Gate Mar 28, 2026 Full Review The AI Doc: Or How I Became an Apocaloptimist (2026) 89% 7/10 EDIT “Roher and Tyrell give the viewers enough information to make informed decisions about how to proceed with AI in their own lives and pointing out the various ways people use it on a daily basis already without even realizing it. ” – The Gate Mar 28, 2026 Full Review A Magnificent Life (2025) 62% 3/10 EDIT “This is the sort of film people talk about when they remark a biopic feels like reading someone’s Wikipedia page.” – The Gate Mar 28, 2026 Full Review Mike & Nick & Nick & Alice (2026) 76% 6/10 EDIT “When you give these kinds of talents just enough to work with and the filmmaker has all the skills and a script to back things up, it’s easy to make something this entertaining.” – The Gate Mar 28, 2026 Full Review They Will Kill You (2026) 64% 5/10 EDIT “It’s obvious that Sokolov and co-writer Alex Litvak had some big ideas, but they either axed them to sreamline the film, the budget wasn’t there to fit the overall vision, or someone somewhere along the way told them the movie was too slow. ” – The Gate Mar 28, 2026 Full Review The Things You Kill (2025) 94% 9/10 EDIT “The film leads down a dark, but thoughtfully twisting path, and it’s a testament to Khatami’s vision that everything adds up in such a creative and succinct manner by the end.” – The Gate Mar 21, 2026 Full Review Miroirs No. 3 (2025) 95% 6/10 EDIT “Trauma and repression aren’t new territory for Petzold, but the little filmmaking touches he brings help to redeem the film overall.” – The Gate Mar 21, 2026 Full Review Sweetness (2025) 90% 7/10 EDIT “Sweetness sticks to what it’s good at, creating a vibe of maximum discomfort and leaning into a fluid sense of situational morality.” – The Gate Mar 21, 2026 Full Review What Does that Nature Say to You (2025) 96% 9/10 EDIT “Everything is laid out on the dinner table by Sangsoo, and it’s up to the viewer to figure out where they choose to look for emphasis. There’s a consistent base rhythm to What Does That Nature Say to You that entrances.” – The Gate Mar 21, 2026 Full Review Nika & Madison (2025) 100% 6/10 EDIT “Even when Thomas slows the film down, sometimes illogically, to have the friends hash out their problems, the leads and the depth of the characters remain the film’s strongest assets.” – The Gate Mar 21, 2026 Full Review
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