Hannah Strong
Tomatometer-approved critic
undertone (2025)
73%
2/5
EDIT
“Kiri is set up for failure by Tuason’s script, which draws straight from the most uninspired corners of Creepypasta forums with its “nursery rhymes played backwards contain demonic messages” premise. ” –
Little White Lies
Apr 13, 2026
Full Review
Fuze (2025)
79%
3/5
EDIT
“The resulting film is an uneven one – occasional flashes of intrigue are hampered by Fuze’s strange structure and uncertainty about how funny it wants to be. ” –
Little White Lies
Apr 2, 2026
Full Review
The Drama (2026)
77%
4/5
EDIT
“The prickly tension between fantasy and reality in The Drama feels particularly well-judged, both in the relationship between Charlie and Emma and within Emma’s dark confession.” –
Little White Lies
Apr 1, 2026
Full Review
Mariinka (2026)
EDIT
“There’s something truly haunting about Mariinka and the way it captures an entire generation lost to a war playing out before our eyes.” –
Little White Lies
Mar 28, 2026
Full Review
Ready or Not 2: Here I Come (2026)
73%
3/5
EDIT
“While Bettinelli-Olpin and Gillett had delivered a sequel which is ultimately entertaining and glides by easily on the strength of its cast and gleeful bloodshed, there is a sense that fresh ideas are a little thin on the ground.” –
Little White Lies
Mar 23, 2026
Full Review
Project Hail Mary (2026)
94%
3/5
EDIT
“Gosling's presence in Project Hail Mary is a canny move and integral to the film's success. ” –
Little White Lies
Mar 17, 2026
Full Review
How to Make a Killing (2026)
43%
2/5
EDIT
“It’s a song and dance we’ve seen before, with both Powell and Qualley operating on cruise control.” –
Little White Lies
Mar 12, 2026
Full Review
THE BRIDE! (2026)
58%
2/5
EDIT
“The Bride! doesn’t have a single original thought worth pursuing.” –
Little White Lies
Mar 9, 2026
Full Review
Hoppers (2026)
94%
3/5
EDIT
“A sound voice cast and some genuinely fun quips make Hoppers a pleasant caper.” –
Little White Lies
Mar 9, 2026
Full Review
The Moment (2026)
67%
4/5
EDIT
“Refusing to take itself too seriously, this spirited contemporary period piece captures some of the insanity that was brat summer – but crucially reminds us there’s something to be said for knowing when to leave the party.” –
Little White Lies
Feb 24, 2026
Full Review
Crime 101 (2026)
88%
2/5
EDIT
“The lack of curiosity about its own material prevents Crime 101 from truly setting itself apart; moments of intrigue and minor thrills seem destined to fade away in the memory rather than inspire future imitators.” –
Little White Lies
Feb 13, 2026
Full Review
Wuthering Heights (2026)
58%
2/5
EDIT
“There is nothing that resonates below the surface here; this is a half-remembered story dressed in a beautiful gown that seems destined for TikTok fan edits and Pinterest mood boards rather than soul-stirring emotional catharsis.” –
Little White Lies
Feb 9, 2026
Full Review
Primate (2025)
78%
2/5
EDIT
“Watching Primate and revelling in these practical effects, there’s a sense that this film should be much better than it actually is. ” –
Little White Lies
Jan 29, 2026
Full Review
Saipan (2025)
93%
3/5
EDIT
“Hardwicke’s magneticism aside, it’s an enjoyable but featherlight affair.” –
Little White Lies
Jan 22, 2026
Full Review
28 Years Later: The Bone Temple (2026)
92%
4/5
EDIT
“The Bone Temple offers a heady mix of stomach-churning violence, absurdist humour and surprising glimmers of tenderness.” –
Little White Lies
Jan 17, 2026
Full Review
The Housemaid (2025)
73%
2/5
EDIT
“The Housemaid lacks the guile to transform its flaws into future camp classic material.” –
Little White Lies
Dec 30, 2025
Full Review
Marty Supreme (2025)
93%
5/5
EDIT
“Although the third act sags a little under the weight of Marty’s hubris, it’s impossible to deny Safdie is working at a remarkable technical level.” –
Little White Lies
Dec 24, 2025
Full Review
Predators (2025)
97%
4/5
EDIT
“It’s uncomfortable and often disturbing viewing, but Osit’s unsentimental, self-critical and refreshingly thoughtful approach makes Predators one of the most valuable entries into a saturated genre, prioritising ethics over emotion.” –
Little White Lies
Nov 14, 2025
Full Review
The Mastermind (2025)
90%
4/5
EDIT
“Kelly Reichardt's Vietnam-era heist drama is immediately engaging in its opaqueness.” –
Little White Lies
Oct 22, 2025
Full Review
Lurker (2025)
94%
4/5
EDIT
“Lurker is an excellent showcase for the talents of Théodore Pellerin and an intriguing first step as a feature filmmaker for Alex Russell.” –
Little White Lies
Sep 24, 2025
Full Review
Remake (2025)
100%
EDIT
“This film is a remarkable tribute to Adrian, poignant and precise, spliced together from clips and fragments like a moving family photo album.” –
Little White Lies
Sep 4, 2025
Full Review
In the Hand of Dante (2025)
43%
EDIT
“Schnabel’s film isn’t even entertaining enough to count as a compelling disaster.” –
Little White Lies
Sep 3, 2025
Full Review
Ish (2025)
EDIT
“Ish heralds the arrival of strong talent both behind and in front of the camera, presenting a fresh moving account of contemporary British childhood.” –
Little White Lies
Sep 2, 2025
Full Review
The Stranger (2025)
92%
EDIT
“The Stranger transfers to film for a third time in mostly compelling fashion, and the small adjustments to Camus’ plot afford a little modernity without a more obvious update. ” –
Little White Lies
Sep 2, 2025
Full Review
Marc by Sofia (2025)
73%
EDIT
“By no means is it a drag, but Marc by Sofia is a missed opportunity, revealing very little to the extent one thinks it might as well have been a glossy coffee table photobook instead of a film. ” –
Little White Lies
Sep 2, 2025
Full Review
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