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Pedro Luis Graterol

Pedro Luis Graterol's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
The Apprentice (2024) 82% 8/10 EDIT “While it’s straightforward and not a particularly innovative message, it’s an important one to remember and what will likely be the lasting legacy of the film. ” – InBetweenDrafts Apr 14, 2026 Full Review Emilia Pérez (2024) 70% 5/10 EDIT “Yet, the saddest part of Emilia Pérez is that it fails to imagine a Mexico that is more than the sum of its struggles. ” – InBetweenDrafts Apr 14, 2026 Full Review Flow (2024) 97% 9/10 EDIT “Through its stunning visuals and authentic portrayal of animals, it delivers a poignant reminder of our role in the ecosystem while showcasing nature’s enduring ability to persevere. ” – InBetweenDrafts Apr 14, 2026 Full Review The Brutalist (2024) 93% 9/10 EDIT “This is a film that reminds viewers of the fragility of the American Dream and reveals the intricate realities of an artist’s life.” – InBetweenDrafts Apr 14, 2026 Full Review Napoleon (2023) 58% 6/10 EDIT “It’s quite exciting to see that a movie can take risks within this format and poke fun at historical figures to question our relationship with them. Rather than a biopic that more or less just fizzles out on arrival.” – InBetweenDrafts Apr 14, 2026 Full Review Rebel Moon: Part One - A Child of Fire (2023) 22% 4/10 EDIT “The world of Rebel Moon possesses potential as a darker and grittier reinvention of the space opera genre. ” – InBetweenDrafts Apr 14, 2026 Full Review Arcadian (2024) 78% 6/10 EDIT “Its effective approach to horror, its wonderful performances, and its inventive creature design are wonderful on their own, and make the movie worth watching despite the poorly crafted script lurking in the darkness.” – InBetweenDrafts Apr 14, 2026 Full Review Despicable Me 4 (2024) 56% 7/10 EDIT “There are no expectations of profound themes in the Despicable Me franchise, just effective slapstick Minion mayhem. Despicable Me 4 manages to achieve this.” – InBetweenDrafts Apr 14, 2026 Full Review Ruby Gillman, Teenage Kraken (2023) 65% 5.5/10 EDIT “It’s a shame that the plot in Ruby Gillman, Teenage Kraken ultimately sinks to the bottom of the sea.” – InBetweenDrafts Apr 14, 2026 Full Review Bird Box Barcelona (2023) 53% 4/10 EDIT “Despite its lackluster effects and wobbly structure, Bird Box Barcelona somewhat holds together thanks to effective performances by Casas, Howard, Georgina Campbell, and Diego Calva. ” – InBetweenDrafts Apr 14, 2026 Full Review Haunted Mansion (2023) 38% 6/10 EDIT “The film is haunted by its unfulfilled potential.” – InBetweenDrafts Apr 14, 2026 Full Review El Conde (2023) 83% 9/10 EDIT “The film transcends the boundaries of Chile’s past, serving as a reflection on how societies worldwide grapple with power, evil, and challenging historical legacies. ” – InBetweenDrafts Apr 14, 2026 Full Review Bruiser (2022) 100% 8/10 EDIT “Anchored in a phenomenal performance by Jalyn Hall, Bruiser is an interesting and stylish exploration of toxic masculinity that proves for an interesting watch. ” – InBetweenDrafts Apr 14, 2026 Full Review Unicorn Wars (2022) 81% 7.5/10 EDIT “Unicorn Wars is a fascinating story about the horrors of war and another beautifully animated film by Vazquez that is worth checking out, if you can stomach all the bear guts.” – InBetweenDrafts Apr 14, 2026 Full Review Tetris (2023) 81% 7.5/10 EDIT “Tetris walks a fine line balancing the entertaining aspects of a Cold War thriller without the monolithic and reductionist depictions of ideologies.” – InBetweenDrafts Apr 14, 2026 Full Review Bardo, False Chronicle of a Handful of Truths (2022) 60% 9/10 EDIT “Still, this is arguably Iñárritu’s most personal film to date, and one that is so deeply entrenched in its own heart and soul, inaccessible as it might be to those who pass it by.” – InBetweenDrafts Apr 14, 2026 Full Review Guillermo del Toro's Pinocchio (2022) 96% 9.5/10 EDIT “A heartwarming version of the story that infuses new life into a classic tale and reaffirms the power of animation in all its forms.” – InBetweenDrafts Apr 14, 2026 Full Review THE BRIDE! (2026) 58% 4/10 EDIT “An intriguing but unwieldy creation, one that gestures toward something bold without ever fully bringing it to life.” – InBetweenDrafts Mar 10, 2026 Full Review GOAT (2026) 85% 7/10 EDIT “The film proves that style can invigorate formula, but it also suggests that the next evolution of this animation movement will require storytelling that is just as daring as its visuals to make a slam-dunk.” – InBetweenDrafts Mar 4, 2026 Full Review Put Your Soul on Your Hand and Walk (2025) 98% 10/10 EDIT “We owe one another the dignity of bearing witness, and by inviting us to do exactly that, this documentary becomes an essential and urgent work of filmmaking.” – InBetweenDrafts Nov 18, 2025 Full Review The Phoenician Scheme (2025) 77% 8.5/10 EDIT “'The Phoenician Scheme' trades Anderson’s usual narrative gymnastics for a simpler, more direct story full of his signature aesthetics, delivering a tale of existential reckoning with clear emotional focus.” – InBetweenDrafts Jul 24, 2025 Full Review The Territory (2022) 97% 8/10 EDIT “A fascinating exploration of the people at the frontlines in the fight for the future of the Amazon rainforest.” – The Young Folks Aug 30, 2022 Full Review DC League of Super-Pets (2022) 72% 6/10 EDIT “It's hard to teach an old superhero comedy new tricks...” – The Young Folks Aug 4, 2022 Full Review The Sea Beast (2022) 94% 8/10 EDIT “Another terrific animated Netflix film.” – The Young Folks Jul 30, 2022 Full Review Rise (2022) 91% 9/10 EDIT “A slam dunk of a biopic.” – The Young Folks Jul 12, 2022 Full Review
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