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4/5
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The Blue Trail
(2025)
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Tara Brady
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The script, written by the director and Tibério Azul, occasionally fumbles its dystopian framework. But the journey has enough vigour, underpinned by ideas on autonomy and ageing, to sustain its adventure.
Posted Apr 17, 2026
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3/5
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The Wizard of the Kremlin
(2025)
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Tara Brady
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For all the clumsy voiceover, Dano remains a twinkling enigma, even if the script, written by the director and Emmanuel Carrère, reduces him to more of a witness than a participant.
Posted Apr 17, 2026
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A Gorilla Story: Told by David Attenborough
(2026)
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Ed Power
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It won’t make anyone go ape – but it is the sort of comfort viewing that will have viewers figuratively swinging from the trees with delight.
Posted Apr 17, 2026
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4/5
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Lee Cronin's The Mummy
(2026)
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Donald Clarke
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A blast for those who like their horror propulsive, transgressive and (in a good way) nauseating. Cronin and his team haven’t quite solved the age-old problem of what to do with the Mummy, but they have confirmed that it remains a dilemma worth tackling.
Posted Apr 16, 2026
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3/5
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Father Mother Sister Brother
(2025)
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Tara Brady
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The performances are finely tuned, sneakily funny and the silences earned.
Posted Apr 10, 2026
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3.5/5
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undertone
(2025)
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Tara Brady
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The coda veers into the conceptual chaos of weaker, later Paranormal Activity instalments, but it’s a promising start for the director’s proposed trilogy.
Posted Apr 10, 2026
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4/5
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DJ Ahmet
(2025)
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Donald Clarke
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Revelling in bright fabrics and seductive horizons, the director, despite all the conflicts, is here to argue for both the warmth of traditional families and the excitement of contemporary youth culture.
Posted Apr 09, 2026
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3.5/5
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Kim Novak's Vertigo
(2025)
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Donald Clarke
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Philippe brings few stylistic flourishes to the film, but the fascinating conversation, punctuated by delving into her personal archives, should be more than enough to satisfy the serious cinephile.
Posted Apr 09, 2026
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3/5
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Fuze
(2025)
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Donald Clarke
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Cast in impressive depth – Theo James and Sam Worthington lead the heist – Fuze just about sustains interest over that often too-busy closing section. Mackenzie knows how to shoot a car chase and a gun fight.
Posted Apr 09, 2026
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1/5
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You, Me & Tuscany
(2026)
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Donald Clarke
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This project exists to establish the new Super Mario film, currently eating the box office alive, as, by comparison, a ruggedly authentic depiction of the Italian character to compare with neo-realistic classics such as Bicycle Thieves.
Posted Apr 09, 2026
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4/5
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Amélie
(2001)
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Tara Brady
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Re-released and remastered for its 25th anniversary, Amélie has aged well enough. Time has not wearied the stylised, magical and unrecognisably white Paris she inhabits.
Posted Apr 02, 2026
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2/5
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The Super Mario Galaxy Movie
(2026)
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Tara Brady
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The breakneck pacing and incessant noise can’t compensate for the lack of narrative momentum or heart.
Posted Apr 01, 2026
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2.5/5
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Orwell: 2 + 2 = 5
(2025)
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Tara Brady
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The film often feels cluttered and overlong, shifting clumsily between biography, analysis and polemic.
Posted Mar 27, 2026
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4.5/5
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Pompei: Below the Clouds
(2025)
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Tara Brady
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Taking its cues from those ancient remains, Rosi’s deserving Special Prize winner at Venice gifts us a pristine, durable snapshot of Naples.
Posted Mar 26, 2026
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5/5
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Sirāt
(2025)
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Donald Clarke
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"Sirat" is an Arabic word for road or path, and, appropriately enough, this is a director with a firm notion of where he is going and what he wants to tell us along the way.
Posted Mar 20, 2026
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3/5
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One Last Deal
(2026)
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Donald Clarke
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Happily, our star – helped out by some energetic voice work down the old blower – has just about enough saucy graft to keep the project aloft.
Posted Mar 20, 2026
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5/5
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Resurrection
(2025)
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Donald Clarke
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Resurrection, shot with extravagant beauty by Dong Jingsong, makes more sense on first viewing than the director perhaps allows. Each story is whole in itself. But it has the quality of a gorgeous knot that will never fully be untied.
Posted Mar 20, 2026
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3.5/5
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Midwinter Break
(2026)
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Donald Clarke
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Hinds and Manville skilfully convey a relationship founded on the most fragile of intertwining insecurities. We get a sense that both understand the evasions they are making and accept them for fear of bringing the whole structure down upon their heads.
Posted Mar 20, 2026
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4.5/5
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La Grazia
(2025)
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Tara Brady
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Sorrentino supplies the occasional surreal house-style flourish – a drifting tear observed in zero gravity – but mostly the director leans into the quiet complexities of Servillo’s turn.
Posted Mar 20, 2026
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4/5
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Dead Man's Wire
(2025)
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Tara Brady
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[Al Pacino's] presence and the use of vintage TV cameras by the film’s cinematographer, Arnaud Potier, add to the sense that we’re watching a lost 1970s thriller.
Posted Mar 19, 2026
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3/5
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Scarlet
(2025)
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Tara Brady
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Hosoda’s visual imagination remains formidable. It’s impossible not to swoon at the director’s reach. ...The storytelling proves less assured.
Posted Mar 13, 2026
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3.5/5
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A Pale View of Hills
(2025)
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Tara Brady
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It’s a film of visual elegance and melancholic intent, yet it often feels as elusive as the memories it seeks to dramatise.
Posted Mar 12, 2026
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4/5
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Project Hail Mary
(2026)
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Donald Clarke
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If it were not for an unfortunate outbreak of too-many-endings syndrome – a hangover from the book – we might have had a classic for the ages. It is still pretty darn strong.
Posted Mar 10, 2026
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2/5
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Peaky Blinders: The Immortal Man
(2026)
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Tara Brady
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What once felt coolly stylised now seems mannered, even silly. The cufflinks gleam from the heritage cosplay: the razor has dulled.
Posted Mar 07, 2026
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3.5/5
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Báite
(2025)
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Tara Brady
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Adapted by Sheena Lambert from her novel The Lake, Ruán Magan’s drama boasts pedigree, handsome visuals and solid, absorbing storytelling, even if its central murder mystery never quite quickens the pulse.
Posted Mar 04, 2026
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2/5
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THE BRIDE!
(2026)
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Donald Clarke
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It is loud. It is brash. It is wilfully discordant. But it also, alas, exhibits a contrasting strain of clunkiness that would be more at home in an undergraduate revue.
Posted Mar 04, 2026
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4/5
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All You Need Is Kill
(2025)
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Tara Brady
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Occasionally, the 3D character animation and frame-rate stutter in the margins. But the film’s approximation of temporal confines never leaves the viewer feeling stuck in a moment.
Posted Feb 26, 2026
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3/5
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Crime 101
(2026)
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Donald Clarke
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We don’t demand hard realism from such a project, but a little more edge would have been nice. Solid, middlebrow entertainment, nonetheless.
Posted Feb 26, 2026
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3/5
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The Moment
(2026)
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Donald Clarke
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The film’s sardonic edge is dulled by a reliance on stereotypical depictions of philistine self-interest. Who would dream that music-industry hangers-on would be up-speaking solipsists? Well, almost everybody.
Posted Feb 25, 2026
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5/5
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If I Had Legs I'd Kick You
(2025)
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Tara Brady
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Byrne refuses to sand down Linda’s harsher edges, yet she reveals the raw terror beneath the fury. The result is a bruising character study that challenges the audience to sift genuine catastrophe from psychic projection.
Posted Feb 22, 2026
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4/5
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The Secret Agent
(2025)
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Tara Brady
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It’s an odd arrangement: despite the languid pacing, the film evokes conspiracy chillers of the 1970s such as Three Days of the Condor and The Parallax View.
Posted Feb 19, 2026
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4.5/5
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Little Amélie or the Character of Rain
(2025)
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Tara Brady
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As Amélie wrestles with death, grief and her own cultural displacement...the film swerves into the certainties of the conscious, adult world without losing its childlike lightness or comic touch.
Posted Feb 12, 2026
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3.5/5
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The Day the Earth Blew Up: A Looney Tunes Movie
(2024)
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Tara Brady
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This is not merely a nostalgic homage. Instead, it rechannels the mayhem of house-style architects Bob Clampett, Chuck Jones and Rod Scribner into a pleasing modern movie shape.
Posted Feb 11, 2026
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3/5
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Wuthering Heights
(2026)
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Donald Clarke
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The wallowing in sexually suggestive egg yolk. The hilariously phallic architecture. Oliver chained to the fireplace. Better that than another politely reverent variation on Sunday-evening telly.
Posted Feb 09, 2026
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4.5/5
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Twinless
(2025)
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Tara Brady
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Grief is seldom this entertaining.
Posted Feb 06, 2026
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4/5
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My Father's Shadow
(2025)
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Tara Brady
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[My Father's Shadow] quietly marries personal and national histories, offering a deceptively sprawling portrait of Lagos, a family and the fragile, frantic ways people try to hold on against tyranny.
Posted Feb 04, 2026
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4/5
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Send Help
(2026)
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Donald Clarke
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All hail Sam Raimi – a different sort of treasure – for fashioning an entertainment that exploits all McAdams’s gifts to delightful and disturbing
Posted Feb 04, 2026
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4/5
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Nouvelle Vague
(2025)
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Donald Clarke
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Linklater repays the debt in a beautiful film that eschews granular analysis of the art for a broad celebration of Frenchness at its most proudly awkward.
Posted Feb 04, 2026
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Camille
(1936)
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Irish Times Staff
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Opposite Garbo is Robert Taylor, who, as Armand, is a perfect foil to Garbo's emotional intensity.
Posted Feb 04, 2026
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1/5
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Melania
(2026)
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Donald Clarke
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No good impression emerges of the former Slovenian model. No bad impression emerges either. Ratner’s film achieves, rather, a sort of passive distance – as you might get by pointing a camera, for close to two hours, at a waterfall or a wheat field.
Posted Jan 31, 2026
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3/5
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Rabbit Trap
(2025)
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Tara Brady
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Technically, Rabbit Trap is assured, particularly in its use of analogue equipment and dense sound design. Emotionally, though, it remains curiously hollow.
Posted Jan 29, 2026
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3.5/5
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Primate
(2025)
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Tara Brady
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[Certain moments in the film] coalesce into amusing, tense and joyfully disposable entertainment carefully calibrated for audience shrieks and merriment.
Posted Jan 28, 2026
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3/5
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Rental Family
(2025)
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Donald Clarke
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It could be enormously clunky, but the quiet warmth of Fraser’s performance, the delicacy of Hikari’s direction and the ravishing location work just about distract from the teeth-smarting sentimentality.
Posted Jan 26, 2026
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2/5
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Mercy
(2026)
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Donald Clarke
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There are no insights on screen that you won’t expect from speed-watching the trailer (or speed-reading this review). If this worst-case scenario does yet happen, it will surely not turn out quite so boringly.
Posted Jan 26, 2026
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3/5
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The History of Sound
(2025)
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Donald Clarke
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There is ... the sense throughout of a film rustling through its own innards in search of an emotional ember that refuses to catch fire. Nice to look at. Nice to listen too. Easily forgotten.
Posted Jan 26, 2026
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3/5
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H Is for Hawk
(2025)
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Tara Brady
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The goshawk reminds us how enthusiastically humans project themselves on to the animal kingdom. The film reminds us how limiting these analogies can be.
Posted Jan 23, 2026
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3/5
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No Other Choice
(2025)
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Tara Brady
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...the mise-en-scene is meticulous, the violence intermittently darkly comic, but the effect is tonally various and curiously blunted.
Posted Jan 22, 2026
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4/5
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Megadeth: Behind the Mask
(2026)
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Tara Brady
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As ever, Mustaine is unmistakably himself. The tunes are good, too. Godspeed, Megadeth.
Posted Jan 16, 2026
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4/5
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The Voice of Hind Rajab
(2025)
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Tara Brady
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[Kaouther Ben Hania] carefully sidesteps ethical questions about the use of performance alongside archival evidence with a clear-headed chronicle of a tragedy and of wider Palestinian suffering.
Posted Jan 15, 2026
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3/5
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Song Sung Blue
(2025)
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Donald Clarke
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This lachrymose yarn ... believes very much in its own irresistibility. That such a claim proves borderline justified is mostly down to bravura performances from two old troopers and charming ones from two committed youngsters.
Posted Jan 13, 2026
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