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C
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Lee Cronin's The Mummy
(2026)
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Brian Orndorf
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Cronin doesn’t have a finest sense of editing, allowing "The Mummy" to feel long and somewhat uneventful between scenes where it tries to get nuts.
Posted Apr 17, 2026
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C-
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Roommates
(2026)
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Brian Orndorf
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Levack ultimately loses control of the movie, but there’s never much filmmaking authority to begin with, leaving "Roommates" caught between a desire to be raunchy and real, killing potential in the process.
Posted Apr 17, 2026
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A-
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Lorne
(2026)
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Brian Orndorf
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The picture ultimately finds intimacy, which is greatly educational, but it’s also a grand reminder of professional achievement and influence few could ever match.
Posted Apr 17, 2026
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F
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Busboys
(2026)
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Brian Orndorf
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Lurches from scene to scene, trying to deliver a laugh riot without actually including any jokes. If there’s a worse film than "Busboys" in 2026, I’ll be shocked.
Posted Apr 17, 2026
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B+
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Ballistic
(2025)
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Brian Orndorf
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Faust is successful in his quest to make the audience feel as frustrated as Nance when she's exposed to a haunting system of capitalism and expendability, leaving viewers with plenty to think about.
Posted Apr 15, 2026
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D
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Balls Up
(2026)
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Brian Orndorf
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"Balls Up" reeks of desperation, finding the production determined to make something outrageous, not necessarily funny, following tedious Farrelly formula for the entire run time.
Posted Apr 15, 2026
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B
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Normal
(2025)
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Brian Orndorf
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A mostly entertaining (mid)western, supplying B-movie thrills while Wheatley destroys bodies and Odenkirk brings aged reserve to the part of a seasoned cop growing aware he’s in the middle of a bad situation.
Posted Apr 14, 2026
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A-
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Wasteman
(2025)
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Brian Orndorf
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"Wasteman" is intense, rarely leaving a state of agitation as Taylor finds himself in a position of unwanted debt, and the production generates fascinating prisoner interplay and searing tensions to really sell a riveting sense of doom.
Posted Apr 14, 2026
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B-
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Fuze
(2025)
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Brian Orndorf
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The payoff here doesn’t match the set-up, leaving "Fuze" winded as it attempts to land an ending.
Posted Apr 14, 2026
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D+
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Thrash
(2026)
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Brian Orndorf
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"Thrash" has the makings of an enjoyable ride (albeit one with mediocre visual effects), but Wirkola often gets in his own way, pushing for wackiness when the endeavor is more compelling as a developing nightmare.
Posted Apr 10, 2026
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D-
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Outcome
(2026)
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Brian Orndorf
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It’s all meant to be meaningful and soulfully refreshing, but it’s nearly impossible to sit through.
Posted Apr 09, 2026
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D+
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You, Me & Tuscany
(2026)
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Brian Orndorf
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As routine a movie as can be made, offering viewers little enchantment while Bailey and Page attempt to survive a picture that doesn’t ask much of their talents.
Posted Apr 09, 2026
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B-
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Heads or Tails?
(2025)
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Brian Orndorf
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"Heads or Tails" has texture, and there’s an interestingly twisty tale to follow, but the helmers aren’t terribly focused on pacing, leaving the viewing experience lumpy.
Posted Apr 08, 2026
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B+
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The Drama
(2026)
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Brian Orndorf
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Sure, the feature could be more twisted and direct with its serving of apprehension, but Borgli still retains itchiness while trying to reach a wider audience.
Posted Apr 08, 2026
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B
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Faces of Death
(2026)
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Brian Orndorf
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Goldhaber doesn’t craft a particularly dominating genre experience, but he captures some sinister business with the effort, which carries an effective sense of dread and a feeling of encroaching madness.
Posted Apr 07, 2026
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B
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Exit 8
(2025)
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Brian Orndorf
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Kawamura creates a strikingly cinematic tour of madness at times, working with excellent technical achievements and nicely rattled acting to help explore this unique puzzle.
Posted Apr 07, 2026
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B-
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Bunnylovr
(2025)
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Brian Orndorf
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Settles on a few scenes of human connection that carry unusual atmosphere at times, helping the effort achieve stretches of seduction and anxiety that offer Zhu as a promising young filmmaker to watch.
Posted Apr 07, 2026
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B-
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The Super Mario Galaxy Movie
(2026)
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Brian Orndorf
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"The Super Mario Galaxy Movie" remains action-packed and vibrantly animated, but there’s new heaviness in play as the endeavor gets carried away selling a brand instead of telling a story.
Posted Apr 07, 2026
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B-
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Eat Pray Bark
(2026)
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Brian Orndorf
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Isn’t something that demands attention, but for viewers interested in a gentle distraction partially highlighting the world of canine behavior, this is at least a capably acted feature, and some of the open world locations can’t be beat.
Posted Mar 26, 2026
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B-
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Wardriver
(2026)
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Brian Orndorf
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The endeavor loses a lot of potency as it unfolds, but Casey and Thomas get halfway there with the film, generating proper mood and threat before most of it melts away.
Posted Mar 26, 2026
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B-
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A Magnificent Life
(2025)
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Brian Orndorf
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Chomet struggles to get his arms around the "true story," offering a picture that’s always appreciable but only periodically illuminating.
Posted Mar 26, 2026
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D
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They Will Kill You
(2026)
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Brian Orndorf
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"They Will Kill You" is gory, noisy, and hostile, but it’s never fun, as Sokolov misses a freewheeling sense of danger and a focused rescue story in his pursuit of mayhem.
Posted Mar 25, 2026
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B+
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She Dances
(2025)
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Brian Orndorf
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There’s a lot of loveliness here, and many laughs, but when it comes time to secure ending of supreme sensitivity, Gomez delivers in a big way.
Posted Mar 25, 2026
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B
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Pretty Lethal
(2026)
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Brian Orndorf
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"Pretty Lethal" is reliable entertainment with a handful of highlights, reaching its potential when it finally gets around to creating panicked scenarios for the main characters.
Posted Mar 25, 2026
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C
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Mike & Nick & Nick & Alice
(2026)
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Brian Orndorf
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Struggles with its low-energy approach and hackneyed way with action sequences. What should be an insane feature bursting with surprises ends up far sleepier than expected.
Posted Mar 25, 2026
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C
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You're Dating a Narcissist!
(2025)
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Brian Orndorf
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"You’re Dating a Narcissist" isn’t sprightly enough to truly charm. Tomei has her moments, but she can’t carry an unfortunately leaden movie on her own.
Posted Mar 25, 2026
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B+
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Fantasy Life
(2025)
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Brian Orndorf
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"Fantasy Life" succeeds in these small spaces, and while Shear doesn’t have much interest in building a plot, he captures mood and behavior with skill.
Posted Mar 25, 2026
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B
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Our Hero, Balthazar
(2025)
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Brian Orndorf
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Boyson doesn’t stick the landing, but this tale of trouble has its moments of disturbing behavior and commentary on adolescent issues.
Posted Mar 25, 2026
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B-
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Forbidden Fruits
(2026)
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Brian Orndorf
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The cast really lifts "Forbidden Fruits" when the offering needs it the most, bringing layers of identity and desires to the film, which helps to digest the movie’s somewhat stationary presentation.
Posted Mar 25, 2026
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B
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Holy Days
(2026)
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Brian Orndorf
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"Holy Days" isn’t big on surprises, but it offers time with fantastic actors who capably deliver nuanced emotions and bits of humor as Boltt creates a consistently entertaining road trip movie.
Posted Mar 25, 2026
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B-
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City Wide Fever
(2025)
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Brian Orndorf
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For those who really enjoy filmmaking that’s in love with filmmaking, "City Wide Fever" has its highlights, with genuine enthusiasm for the storytelling mission, even during its most underfunded scenes.
Posted Mar 19, 2026
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C
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Ready or Not 2: Here I Come
(2026)
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Brian Orndorf
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The sequel doesn’t have much in the way of freshness, acting more as a remake than a continuation.
Posted Mar 18, 2026
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B+
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Tow
(2025)
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Brian Orndorf
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"Tow" is a little unusual as it straddles the line between mainstream and indie moviemaking, but it delivers heart and significance with its unusual understanding of persistence.
Posted Mar 18, 2026
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A-
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Late Shift
(2025)
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Brian Orndorf
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Isn’t an easy watch, but it’s an important one, vividly dramatizing the challenges of a difficult vocation, taking moments to understand the endurance and concentration the job demands, generating a riveting sit.
Posted Mar 18, 2026
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B+
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I Swear
(2025)
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Brian Orndorf
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And there’s Aramayo, who fully inhabits John’s physical and mental space, providing deeply and impressively committed work, always identifying the humanity of the man, even during his most possessed moments.
Posted Mar 18, 2026
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D
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Pizza Movie
(2026)
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Brian Orndorf
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Meant to charm adolescent viewers, and will likely do so with its juvenile ways. However, it could be a lot funnier and more creative, really spinning the central pizza-hunting premise in all the right ways.
Posted Mar 18, 2026
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D
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Vampires of the Velvet Lounge
(2026)
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Brian Orndorf
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Confusion tends to dominate the viewing experience, as viewers are offered a feature that doesn’t really know what it wants to be, but it has a defined purpose to spill as much fake blood as possible.
Posted Mar 18, 2026
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B
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The Gates
(2026)
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Brian Orndorf
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It’s definitely not a film that’s trying to make sense of hatred, instead using it to power a mostly effective exercise in suspense and plot turns, which Burr handles to the best of his ability.
Posted Mar 12, 2026
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D
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Preschool
(2026)
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Brian Orndorf
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Duhamel plays it safe with the picture instead, providing a tired sense of mischief with a movie you’ve seen before.
Posted Mar 12, 2026
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B
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Reminders of Him
(2026)
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Brian Orndorf
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Caswill remains remarkably committed to preserving a human touch to "Reminders of Him," delivering a feature with some honest emotions and a less manipulative way of doing business.
Posted Mar 11, 2026
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B-
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Project Hail Mary
(2026)
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Brian Orndorf
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Lord and Miller attempt to go very big with the offering, which remains engaging enough, but the directors are definitely out to win hearts with the feature, getting a little too pushy with sentimentality as the story unfolds.
Posted Mar 10, 2026
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B+
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Slanted
(2025)
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Brian Orndorf
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The movie isn’t razor sharp and doesn’t get weird enough, but Wang’s creative voice remains clear in this thought-provoking offering.
Posted Mar 10, 2026
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C
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undertone
(2025)
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Brian Orndorf
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Sound is basically all "Undertone" has, unable to cook up a more dynamic haunting to follow as everything in the movie goes crash, bang, boom.
Posted Mar 10, 2026
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B-
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Bodycam
(2025)
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Brian Orndorf
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There’s nothing here that bests the highlights of the "V/H/S" franchise, but Christensen lands a few punches during the run time, requiring a little more patience with the pace of the effort.
Posted Mar 10, 2026
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B
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The Optimist: The Bravest Act Is Truth
(2023)
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Brian Orndorf
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"The Optimist" runs into storytelling issues late in the film, but it remains a powerful understanding of endurance, providing intimacy with crisis and compassion.
Posted Mar 10, 2026
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D
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THE BRIDE!
(2026)
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Brian Orndorf
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Unbearable permissiveness just sinks the whole thing.
Posted Mar 06, 2026
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B
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War Machine
(2026)
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Brian Orndorf
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Hughes makes a few creative missteps in the hunt for an ending, but most of "War Machine" is engaging and action-packed, delivering thrills with a simple but effective concept for survival cinema.
Posted Mar 06, 2026
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D+
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Protector
(2025)
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Brian Orndorf
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"Protector" is harsh at times, but also exceedingly ridiculous overall, and while dumbness isn’t always a problem when it comes to the highlights of B-movie entertainment, it definitely doesn’t help this loony offering.
Posted Mar 06, 2026
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A-
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Hoppers
(2026)
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Brian Orndorf
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Pixar scores a major success with this wonderful feature, with Chong overseeing rich animation and flavorful voice work, while Andrews manages to find a plot and a message worth following.
Posted Mar 02, 2026
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B
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Dolly
(2025)
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Brian Orndorf
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Vividly sold with all kinds of gruesomeness, putting on a big display of nastiness for those who really enjoy such extremity.
Posted Mar 02, 2026
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